COLERICK DELIVERS HOPE STREET
Uplifting new album arrives October 7, 2021
The title of Brad Colerick’s new album, produced during the pandemic, could not be more fitting: Hope Street. Yet it wasn't his first choice.
"I planned to call the album Manzanar,” he recalls, referencing the dramatic lead single. But friend and animator Scott Feldmann, who is creating an animated short film set to the song, sent a note recommending Hope Street. “I immediately loved the title — it seemed appropriate on many levels.” Colerick lives on Hope Street, where he records his Wine & Song podcast and which he intros with, “We’re coming to you from a quiet little street called Hope.”
Indeed. Over the past dozen years, Colerick has built a bona fide community of songwriters, acoustic musicians, and fans around his weekly Wine & Song live show at the Blue Guitar. As with the podcast, the 11 original songs on Hope Street are melodically and emotionally uplifting and frequently honor the bonds of family, friends, and community. The buoyant album closer “Life Is Beautiful,” for instance, commissioned by a longtime fan, celebrates true love, dogs, and “the smallest moments/ and the stillness of the night.”
For all Hope Street conveys of the music’s origins and engaging spirit, the album’s heart seems to be “Manzanar.” Inspired by the 2020 LA Times obituary for Yuki Okinaga Hayakawa, Colerick was profoundly moved by her story and Clem Albers’ iconic 1942 photo of a 3-year-old Yuki sitting atop a suitcase at LA’s Union Station. Yuki and her mother, Mikiko, were forcibly moved to horse stalls at Santa Anita Race Track in Arcadia, California — just seven miles from Colerick’s present-day home — then to the Manzanar War Relocation Center in California’s Owens Valley.
Colerick had held the thought of writing about Manzanar for years, but not until the pandemic shutdown did a song finally emerge. “When I wrote it, we had been cooped up for some time. I could feel, in a small way, what that isolation from the world must have been like, although it really can’t compare with losing property, livelihoods, and being behind barbed wire and guard towers.”
He wrote the song at a remote cabin on the other side of the Sierra Nevadas from Manzanar and posted a rough video to YouTube from the cabin porch. Back home in South Pasadena, Colerick recorded the suspenseful acoustic backdrop, punctuated by Isaku Kageyama’s taiko drums. He then reached out to Tokyo-based slide guitarist Chihana Onishi, who had performed at Colerick’s weekly showcase. From her Tokyo apartment, Chihana overdubbed her resonator guitar, which eloquently channels the confusion, dread, and resilience of Yuki and her mother.
“Sometimes, child, things are hard to explain
People don’t always do what’s right
Funny how fear can poison perceptions…
We’ve got to be strong, and just hold on to each other
And Yuki, someday you’ll go far”
The song also speaks to pandemic-era fears and social justice issues. Other tracks similarly resonate in both the past and present. Pensive country-rocker “Shattercane,” composed with guitarist Charlie White and named after an invasive corn-choking weed, didn’t make the cut for 2014’s Tucson album. Now, slightly rewritten, it can be taken as contemporary environmental commentary. “Fireline,” inspired by the catastrophic 2018 fire that virtually obliterated the Northern California town of Paradise, could easily describe half a dozen fires burning in that region in 2021 — and the resultant need to “Keep an ear up to Heaven and an eye on the fireline” while reshuffling life's priorities. The song features Cleveland-based rapper and vocalist Jul Big Green, whom Colerick met and collaborated with on music for a Del Taco commercial.
Greasy, smile-inducing rocker “Time Machine,” inspired by the powder-blue 1971 Lincoln Continental Colerick’s grandfather owned and fired up by David Plenn’s rollicking guitar fills and solos, namechecks road-trip hotspots before wistfully hinting they’re places “you may never go again.” It’s followed by the poignant “Leona’s Love,” which imagines the biological grandmother Colerick discovered through a DNA search years after her death.
“I’m just longing for what’s missing here
A broken branch, a faded picture”
Then there’s the achingly melodic “Santa Ana Winds,” burnished with vivid imagery and Dave Ristrim’s pedal steel guitar. It’s a wrenching, blue-tinged farewell to longtime bandmate Tim Fleming, a beloved presence in L.A.’s acoustic music community who died in April, 2020. Hope Street will be released on Fleming’s birthday, October 7.
Gospel-bluegrass gem “Road to Freedom,” recorded years earlier with Loafer’s Glory (guitarist Herb Pedersen; mandolinist Patrick Sauber; fiddler Tom Sauber; and late, great bassist Bill Bryson) was updated with new verse lyrics and assumes fresh depth now in the context of the past year’s social unrest. Dave Ristrim’s newly added Dobro and young up-and-comer Sam Robbins’ gentle harmony offer sonic healing while Colerick ponders redemption and humility: “Let me find in my soul who I am/ Is it my place to wonder why I stand in these shoes.” As with the reassuring “My Room,” ribboned with Phil Parlapiano’s accordion and written pre-pandemic, it’s a reminder of the mysterious ways in which songs can be insightful ahead of their time.
Many artists have struggled to find their footing during the pandemic, and Colerick has not been immune to those struggles. “I thought it would be really difficult completing an album without face-to-face interaction with musicians in the studio, but it opened up all kinds of possibilities." With more diverse instrumentation and collaborators than he’s looked to before — something Colerick believed the songs and the times demanded — Hope Street represents an exciting broadening of horizons. “All of a sudden,” he acknowledges, “I felt limitless.”
HOPE STREET CREDITS
1. SHATTERCANE - Brad Colerick, acoustic guitar, lead vocal; Larry Marrs, backing vocals; Charlie White, electric guitar, bass; Kenny Loggains, drums. LYRICS
2. STORIES THAT WE TELL - Brad Colerick, acoustic guitar, lead and backing vocals; Nicole Gordon, backing vocals; Phil Parlapiano, accordion; Guillermo Guzmán, bass; Nick Vincent, drums. LYRICS
3. MANZANAR (YUKI) - Brad Colerick, acoustic guitar, lead vocal; Chihana Onishi, resonator guitar; Isaku Kageyama, taiko drums; Guillermo Guzmán, bass; Nick Vincent, drums. LYRICS
4. MY ROOM- Brad Colerick, acoustic guitar, lead and backing vocals; Phil Parlapiano, accordion; Guillermo Guzmán, bass. LYRICS
5. FIRELINE - Brad Colerick, acoustic guitar, lead and backing vocals; Jul Big Green, vocals; Steven O. Hanson, banjo; Tim Fleming, pedal steel; Guillermo Guzmán, bass; Nick Vincent, drums. LYRICS
6. ROAD TO FREEDOM - Brad Colerick, lead vocal; Sam Robbins, backing vocal; Dave Ristrim, dobro; Herb Pedersen, acoustic guitar; Bill Bryson, bass; Tom Sauber, fiddle; Patrick Sauber, mandolin. LYRICS
7. TIME MACHINE - Brad Colerick, acoustic guitar, lead vocal; David Plenn, electric guitar; Guillermo Guzmán, bass; Nick Vincent, drums. LYRICS
8. LEONA'S LOVE - Brad Colerick, acoustic guitar, lead and backing vocals; Tim Fleming, pedal steel; Guillermo Guzmán, bass; Nick Vincent, drums. LYRICS
9. OUT OF THE BLUE - Brad Colerick, acoustic guitar, lead and backing vocals; Steven O. Hanson, banjo, mandolin; David Plenn, electric guitar; Guillermo Guzmán, bass. LYRICS
10. SANTA ANA WINDS - Brad Colerick, acoustic guitar, lead vocal; Dave Ristrim, pedal steel; David Plenn, electric guitar; Guillermo Guzmán, bass. LYRICS
11. LIFE IS BEAUTIFUL - Brad Colerick, acoustic guitar, lead and backing vocals, whistle; Steven O. Hanson, mandolin; Greg Porée, nylon string guitar; Guillermo Guzmán, bass. LYRICS
All songs by Brad Colerick © 2021 Colerick Music (BMI), except “Shattercane” by Brad Colerick/Charlie White © 2021 Colerick Music/Daddy Chuck’s Songs (BMI).
“One of a baker's dozen of acts to watch in the folk community around the world”
— Billboard Magazine
“Colerick's stories are worth hearing… His warm, sunny, homey tenor brings alive the characters, places and relationships in these 11 songs.”
— Associated Press
“[Tucson] is easily one of the best independent Americana albums released in 2014”
— No Depression Magazine
★ Top 5 Euro-Americana chart
★ Top 5 Folk-DJ chart
★ Finalist at Kerrville, Falcon Ridge, Wildflower, Sisters, and Rocky Mountain songwriter competitions.
opening set by Steve & Jim. Trio kicks off at 7pm.
In the backyard of Brad & Celeste Colerick's home in South Pasadena. Only 20 tickets will be sold. 6:30 doors, 7:00 music. BC will fire up the grill. Food included in the ticket price. BYOB. Bring an instrument if you like and prepare to jam! Address and more details to be sent following ticket purchase.
We're moving the show to Thursday for this installment. With us will be a wonderful UK duo The Black Feathers along with our good friends Nathan & Jessie, plus that nomad from the north, Michael McNevin. Tickets are $17 general admission, $22 for table seats. Food and wine available but not included in ticket price.
$17 General Admission, $22 Table Seats
Sure to be a wild night in the Mamma's tent with the Wild Ponies and Chauncey Bowers w/ Lisa Turner. We'll debut Chauncey's new music video for "Circus". $15 suggested donation in the bucket or via Venmo (@bradcolerick); Zelle (email@example.com); or PayPal.me/bradcolerick.
Hosted by Jodi Siegel with James Lee Stanley, Amelia K Spicer, Steve Postell, and BC
— (MST, UTC-07) — (MST, UTC-07)
Wine & Song expands to AZ hosted by Laura Joy. This is the debut show of the weekly Thursday series. No tickets needed, just a suggested donation of $15.
Show is outdoors on the patio. No tickets needed, no advance reservations, just a suggested $15 donation in the bucket at the show.
Another magical Wine & Song night. No reserved seating, no advanced tickets. $15 suggested donation. Outdoors on the patio and parking area.